Enhancing color images with Silver Efex Pro 2


Last time I did a video in which I showed the excellent black & white capabilities of Nik Software’s Silver Efex Pro plugin for Lightroom & Photoshop. But what if told you that I also use Silver Efex Pro to enhance the dynamic range of my color images? Curious? The video below shows you how. If you think Silver Efex Pro 2 is an addition to your black and white (or, after seeing this video, color workflow) using this affiliate link gets you an extra 15% off on the already discounted $149 price. Just use discount code MORETHANWORDS15 upon checkout (in fact, it should already be filled out if you use the link) and you’ll get the bundle of all six Nik plugins for about $126 (or about €100). Other included plugins are HDR Efex Pro, Viveza and Color Efex Pro, of which you can see a video here.

If you have any questions regarding this video, contact me via the contact form.

PLEASE NOTE: As mentioned, I am an affiliate of Nik Software. If you purchase by clicking the links in this blogpost, I receive a commission. This helps me run this blog and keep creating tutorial videos like this. Furthermore, following the link doesn’t cost you anything extra. On the contrary: using my links and discount code actually SAVES you money :-)

 

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Nieuwe features in Lightroom 5 Beta: mijn persoonlijke top-5

Gisteren heeft Adobe menigeen verbaasd met de release van de publieke beta van Lightroom 5. Lightroom 5 heeft voor elk wat wils: van de door velen gevraagde ‘healing brush’ over automatische perspectiefcorrecties tot ellipsvormige verloopfilters. Maar wellicht de op lange termijn belangrijkste nieuwe feature…

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Bespaar 15% extra op Nik Software + mijn Nederlandstalige Nik Software webinar online

Eind oktober deed ik een Nederlandstalig webinar voor Nik Software over de plugins Silver Efex Pro, Color Efex Pro, HDR Efex Pro en Viveza. Dit webinar, dat ongeveer 70 minuten duurt, werd opgenomen, is nu online gezet en werd al bijna 10.000 keer bekeken :-) Het geeft een goed idee van de mogelijkheden van de Nik plugins in combinatie met Lightroom en Photoshop. Mocht je na het zien van dit webinar de plugins willen aanschaffen, dan kan dat nu goedkoper dan ooit: de volledige bundel kostte vorig jaar nog 500€ maar na de recente overname van Nik door Google is de prijs verlaagd naar 149$. Maar het kan nog beter: wanneer je deze link gebruikt en bij ‘Discount Code’ MORETHANWORDS15 ingeeft, krijg je nog eens 15% korting, wat de prijs op omgerekend ongeveer 100€ brengt. De software werkt zowel op Mac als Windows, werkt als plugin in Lightroom, Photoshop en Aperture en mag op twee computers geïnstalleerd worden.

Disclosure: Als affiliate van Nik ontvangt MoreThanWords een vergoeding wanneer je de links in deze blogpost volgt. Dit kost je echter geen extra geld, integendeel: door de kortingscode MORETHANWORDS15 te gebruiken krijg je nog de extra korting van 15%!

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Working Smart with Silver Efex Pro 2

It’s a no secret that Nik Silver Efex Pro 2 is one of my favorite Lightroom and Photoshop plugins. In fact, it only has one drawback, or should I say, had one drawback: it used to be $199 but now that Nik Software has been taken over by Google, the fine folks at Mountain View have lowered the price to $149. Not for just Silver Efex, but for the so-called Complete Collection of Nik plugins. On top of Silver Efex Pro, you get Viveza 2, Color Efex Pro 4 (of which you can see a tutorial video here), HDR Efex Pro, Dfine and Sharpener Pro. The individual plugins aren’t available separately anymore, but at this new price for the bundle, who cares? I hope to be doing some videos on the other plugins as well in the future.

The software is Mac/Windows compatible, runs with Lightroom/Aperture or Photoshop as host application and can be installed on two computers.

In this video tutorial, I take you through the black & white conversion of a rather difficult image using Silver Efex Pro 2. You’ll learn all about presets, control points, grouping control points and about the advantages of using the Nik Smart Object workflow in Photoshop. If you think Silver Efex Pro 2 is an addition to your workflow, using the affiliate links in this blog post gets you an even better deal: if you follow the links and use discount code MORETHANWORDS15 upon checkout, you’ll receive an additional 15% discount on your purchase. I told you it was a steal, didn’t I :-)

PLEASE NOTE: As mentioned, I am an affiliate of Nik Software. If you purchase by clicking the links in this blogpost, I receive a commission. This helps me run this blog and keep creating tutorial videos like this. Furthermore, following the link doesn’t cost you anything extra. On the contrary: using my links and discount code actually SAVES you money :-)

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Custom Graduated Filters in Nik Color Efex Pro 4

This tutorial is about one of my favorite filters in Nik Color Efex Pro: the graduated filter (it’s only one of 52 filters, by the way). If you’ve ever used a real graduated filter (or a software-version in a graphics application), you know that you cannot have buildings or trees protruding from the foreground into the background… That is, unless you use Nik Software’s Graduated filter. Thanks to the unique Control Point technology, which I explain in the video, you can basically create custom Graduated Filters.

Color Efex Pro is part of the Nik Complete Collection, that contains 5 other plugins as well. The whole collection now costs only $149,95  (down from a whopping $500), and with discount code MORETHANWORDS15, you can save an additional 15% upon checkout. You can install it on two computers (Mac and/or Windows) and it can be used with Lightroom, Aperture and Photoshop.

DISCLAIMER: I am an affiliate of Nik Software. If you purchase by clicking the links in this blogpost, I receive a commission. This helps me run this blog and keep creating tutorial videos like this. Furthermore, following the link doesn’t cost you anything extra. On the contrary: using my discount code actually SAVES you extra money :-)

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The “Grungy Retro Style” in Lightroom

As with everything else, photographic postprocessing is subject to trends. One specific trend, which was kick-started by smart phone apps such as Hipstamatic and Instagram, is what I would call “retro-grunge”: a warm retro colour palette, slightly desaturated and mixed with grungy, worn-out finishing with lots of local contrast that really let structures and textures shine through.

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“The Photographer’s Workflow UnMasked”, or why two eBooks can be better than one.

I’ve had the pleasure of reading a highly interesting book about Lightroom this weekend. It’s called The Photographer’s Workflow and it’s written by travel photographer Gavin Gough.

As you know, I just wrote a Lightroom eBook myself called Lightroom 4 UnMasked, which was published through Craft & Vision. So shouldn’t I be promoting my own eBook instead of Gavin’s? Well, the fact is that I truly believe that our books are not competitors or that one is “better” than the other. On the contrary, both complement each other extremely well, which is probably why Gavin was kind enough to place a reference to my eBook at the end of his, and which is why I am writing this blog post.

It’s about Lightroom allright

Although there’s no mention of ‘Lightroom’ in the title of Gavin’s eBook, it’s about Lightroom allright.

Gavin compares the photographic workflow to a conveyor belt in a factory, where raw materials are being imported, managed, processed and exported and discusses how he uses Lightroom to tackle that process.

As such, the eBook focuses almost exclusively on importing, the Library Module, Develop Module and Exporting. There is no mention for example of my beloved output modules such as Slideshow, Print or Web.

Gavin describes his own workflow, but gives enough information on how you can adapt that to suit your own needs.

As British as sipping a cup of tea in a Land Rover

The eBook is beautifully laid out and I love the way each chapter opening image really pertains to the content of that chapter. The writing style is fluid and full of typical British humor, which I like. No over-the-top guru-style preaching but practical, down-to-earth advice. If Stephen Fry would ever write a book about Lightroom, it would probably read like Gavin’s.

I consider myself an advanced user – I have a neon ‘Lightroom Certified Expert’ sign on my wall – kidding :) . Yet I learned from this eBook, particularly with regards to metadata. Gavin’s amongst others a stock photographer, which I’m not, so I read the parts and advice on metadata presets and captioning with great interest. If you’re less of an expert, you’ll pick up invaluable pieces of advice throughout the entire eBook.

Anyone who advocates the use of Presets, Templates and (Smart) Collections is a friend of mine

In my own books, courses and workshops, I always advocate the use of presets, templates, Collections and Smart Collections and I give an example of how Lightroom assists me with my marketing by using a Marketing Keyword Set and a matching set of Smart Collections. I’ll also say that you can push the idea of Smart Collections even further, combining them into an entire workflow. Up to now, I referred people to John Beardsworth’s Smart Collections Workflow for an example, but now I can refer them to Gavin’s workflow: his use of Smart Collections really takes the ‘conveyor belt’ idea to the extreme: you enter fresh images in a collection, and from there, they’re automatically put into a Smart Collection workflow. When you rate them, assign keywords and develop them, they move through the workflow.

For me, this is the true value of this eBook. It challenges you – more than once – to revisit your own habits (also with regards to backups) and shows you new ways you might put Lightroom to use. And even if Gavin’s workflow is not the one for you, you’ll get an idea as to how you can set up something similar for yourself.

Gavin’s Smart Collection’s are included in the download (as well as some training videos) so you can start using them (or start messing around with them to create your own workflow) right away.

Conclusion

$30 isn’t cheap for an eBook but in this case, it’s well worth the price. For the money, you not only get Gavin’s 120 page eBook but a complete package with the Smart Collections, some tutorial videos and a set of Develop presets as well. And there’s more, until end of january and exclusively for MoreThanWords, code photowork33jan gets you $10 off!

Now, before you rush off to Gavin’s virtual book store, where does my own Lightroom 4 Unmasked eBook fit in all of this? Well, as mentioned, Gavin’s eBook only talks about a subset of Lightroom’s functions: Import, Library, Develop and Export. And even these aspects are only covered as far as they are relevant to the workflow Gavin uses. For example, there’s no mention of how to use Lightroom on two computers nor of the way Lightroom and Photoshop interact. And of course, there’s no mention of the output modules, which I happen to use all of the time and which are important to anyone who wants to print from Lightroom, make photo albums or who wants to use Lightroom to make an online ordering website.

This is where I think Lightroom 4 Unmasked fits in: my eBook is really meant to be a COMPLETE guidebook on Lightroom 4. As such, it covers lots of things that Gavin’s book (deliberately) doesn’t while elsewhere, it does not go into the amount of detail that Gavin’s does. Hence, both books complement each other so well. I would say that of my 312 pages, there is only about 60 pages that overlap with Gavin’s. And even in those pages that talk about the same things, it’s sometimes interesting to read how two authors can have completely identical, similar or downright different views on specific topics (as with regards to converting to DNG, for example).

You can find Gavin’s eBook, the Photographer’s Workflow here. ($20 with discount code photowork33jan, until end of january only)
You can fine my eBook, Lightroom 4 UnMasked here ($20).

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Lightroom Don’ts: 6 things beginning Lightroom users should watch out for

The next couple of tips are based on my experience of teaching Lightroom to numerous photographers. If you read them thoroughly, they will prevent you from making many of the typical mistakes novice Lightroom users make when they dive into the program without reading any manual. These couple of minutes might save you hours of frustration further down the road!

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Lightroom Do’s: 7 tips for beginning Lightroom users

Below are a couple of practical recommendations to help beginners use Lightroom in an optimal way and avoid making typical beginners’ errors. They’re based on my experience with teaching Lightroom to hundreds of photographers. This blog post will be followed by a ‘Lightroom Don’ts’ blogpost shortly, so stay tuned for that one.

1 Work as long as possible with only one catalog

Although you could work with multiple catalogs, only one catalog can be open at any given time in Lightroom. This means that you can only search and filter within one and the same catalog at any given time. The same goes for working with collections: these will also only work within the same catalog. Unless you know what (and why) you’re doing, you should work as long as possible with one single catalog. This will allow you to reap the maximum benefit of the various organizational tools in the Library module.

If for some reason (for example, to have more compact, faster catalogs) you want to work with multiple catalogs, it might still be a good idea to work with so-called “project catalogs” and a central archival catalog but this is a more advanced feature that a novice Lightroom user should probably avoid until you get a full understanding of the Catalog concept in Lightroom.

2 Do as much as possible upon import

Lightroom distinguishes itself from ordinary file browsers such as Adobe Bridge by the fact that images have to be imported into its database (the ‘Catalog’). This importing is nothing more than making references in the catalog as to where your images actually are. Since, as a Lightroom user, you can’t get around this obligatory import phase, you might as well make the most of it and perform as many tasks as possible during import. The Import dialog allows you to “order” the rendering of the previews that Lightroom needs in order to run smoothly. Furthermore, you can also make a backup copy of your images and add specific copyright information during the import phase. Finally, you can rename your images and even apply some initial post-processing, such as the automatic removal of lens distortions, by means of a preset.

3 Use keywords, collections, smart collections and virtual copies.

Lightroom’s database architecture allows for some unique file management options and it’s up to you to take advantage of them. Using keywords, you will be able to quickly retrieve specific images in your ever-growing image library. Collections allow you to bring images that reside in different physical folders together without having to physically duplicate or move them. Smart collections automatically put images together when certain conditions that you specified in the smart collection’s rules are met. Virtual copies are an ideal way to experiment with different edits of the same image without having to duplicate that image, something you cannot do in Adobe Bridge & Camera Raw.

4 Make maximum use of templates and presets.

Lightroom is a workflow application, and it is stuffed with options to speed up that workflow by means of templates and presets. As a rule of thumb, if you’re planning on doing anything more than a couple of times in Lightroom, you’re better off turning it into a preset. There are more than 10 different kinds of presets, ranging from the obvious develop presets over metadata templates to specific keyword sets. And let’s not forget the templates you can save to quickly retrieve specific layouts in the output modules such as Slideshow, Print and Web. Templates and presest not only make your workflow faster, but also more consistent. In a way, templates and presets are the Lightroom alternative to Photoshop Actions.

5 Work efficiently: do as much as possible in Lightroom…

When you’re editing images in the Develop module, try to do as much as possible with global adjustments: these are a lot easier to synchronize with (i.e. copy to) other, comparable images. Only when you run out of global editing options should you take on the local adjustments such as the graduated filter and the adjustment brush.

By working in Lightroom as long as possible, you keep your filesize down (because you’re working on a raw file instead of on a TIFF or PSD, which is typically 3 to 6 times bigger) and everything you do is non-destructive: you can always revisit your settings and change your mind: nothing’s ‘baked into’ the pixels. Every edit is just written in pencil in Lightroom’s big archive: the Catalog.

This blog post is based on an excerpt of my new eBook ’Lightroom 4 UnMasked. A Complete Guide to Adobe Photoshop Lightroom 4′ which is available at www.craftandvision.com. $20 for over 300 pages (including 60 cases) of solid, no-nonsense Lightroom info. Suitable for beginning and intermediate users. More info about this eBook can be found here.

 

 

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Proudly presenting: ‘Lightroom 4 Unmasked. A complete guide to Adobe Photoshop Lightroom’.

After months of hard work, I’m proud to present my latest eBook which is again published by the wonderful folks at Craft & Vision: ‘Lightroom 4 UnMasked. A Complete Guide to Adobe Photoshop Lightroom 4.’

Weighing in at 313 pages, this is not a regular Craft & Vision eBook. It’s the first to be published in the Craft & Vision ‘Big Books’ series.

Now, I’ve never been particularly good at blowing my own trumpet, but if someone forced me into giving ten reasons why you should buy this eBook, I’d probably tell them the following:

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